Through the staging of a series of dialogues taken from a textbook to learn French, this series revolves on the possible relationships that can or can not be established between text and image. The various feasible receptions of these photographs with text highlight particularities of each of these forms of signification. The location of the shots in the desert of Cuatro Ciénagas, Coahuila, as well as the inclusion of an additional text foreign to the dialogues, both amplify the absurdity and decontextualization of the mise-en-scène.